Book review persepolis

And don't get me started on that My Husband is the Head of the House shit Thanks to the Iran-Iraq war, neighbors' homes are bombed, playmates are killed and parties are forbidden.

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And, Satrapi puts the medium to clever use, combining political history with memoir writing to narrate the tale of a nation that is now stereotyped for its fanaticism and terrorism.

But although Austria offers greater freedom for Marji, life in a foreign country offers new troubles.

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If there were ever a perfect time to read Persepolis, it would be now. There was a revolution, some religious nutters took over, and then everyone start I knew a little about Iran. One of my favorite parts about this book was the format of graphic panels. Although terrorism and war form the basis of Marjane's childhood experience, we learn through her story that the actions of a few extremists do not reflect the attitude of an entire nation. Are they going to whip me? So covering yourself head to toe doesn't sounds any weirder than not using birth control, avoiding certain foods, or refusing medical treatment. It gives the people of Iran a face and a voice through their spokeswoman, Marjane Satrapi, and the humanization of a people who often appear far away and different is a benefit not to be ignored. Satrapi knows this all too well and thus is able to tell the political and social tale of a nation through humour, without ridiculing it in any manner and also without lapsing into any sort of sensationalism or sentimentality. Satrapi's art is minimal and stark yet often charming and humorous as it depicts the madness around her. This is what sets Persepolis apart; to be introduced to 20th-century Iranian politics through the impressionable eyes of a ten-year-old is fascinating, to say the least.

One quote sums up the reason why theocracies impose such strict control on all aspects of their subjects' lives very neatly: "The regime had understood that one person leaving her house while asking herself, 'Are my trousers long enough?

When the Islamic revolution swept over Iran and the fundamentalists overthrew the Shah, Satrapi was only 10 years old. Persepolis deploys all the paranoid Expressionism latent in the comic strip's juxtapositions of scale—the child dwarfed by looming parents, would-be rescuers dwarfed by giant policemen guarding the locked doors to a movie theater that's been set on fire—but when Satrapi depicts a schoolyard brawl, it's straight from Persian miniature.

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Skillfully presenting a child's view of war and her own shifting ideals, she also shows quotidian life in Tehran and her family's pride and love for their country despite the tumultuous times.

The book could hardly have come at a better moment.

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Her parents talk about dialectic materialism and martyrs. Growing up in a home like that made an impression on her, and you can see how she bucks and rebels as she approaches her teenage years.

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This is what sets Persepolis apart; to be introduced to 20th-century Iranian politics through the impressionable eyes of a ten-year-old is fascinating, to say the least. Thanks to the Iran-Iraq war, neighbors' homes are bombed, playmates are killed and parties are forbidden. Growing up in a home like that made an impression on her, and you can see how she bucks and rebels as she approaches her teenage years. All the characters are dynamic and realistic; I'll admit, I almost cried at a few moments in this book and I never cry while reading books. The English edition comes with an introduction expressing the author's desire to show Americans that Iran is not only a country of fanatics and terrorists. So she takes refuge in God and reading all the books she can. Skillfully presenting a child's view of war and her own shifting ideals, she also shows quotidian life in Tehran and her family's pride and love for their country despite the tumultuous times. Her life changed dramatically under the new regime. Everyone who supported the revolution is now a sworn enemy of the government. It meant that more emphasis was put on the characters and the storyline, as opposed to bright colours and really detailed images. She idolizes those who were imprisoned by the Shah, fascinated by their tales of torture, and bonds with her Uncle Anoosh, only to see the new regime imprison and eventually kill him.

She wasn't raised to be quiet and docile, so she chafes under her country's regime. Ridiculous though they may be.

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Persepolis: The Story of a Childhood by Marjane Satrapi